■M 


CATALOGUE 


OF  THE 


KOHLER  k  CHASE  COLLECTION 


OF 


Rare  Old  Violins 


INCIvUDING  A  NUMBER  OF  CUTS  OF  SOME  OF  THE  FINEST  VIOLINS 

IN  THE  woRi^D.     These  cuts  were  produced  from 

photographs,  which  were  made  from  the 

viowns  themsei.ves,  and  are 

Absoi,utei.y  Correct. 


It   AlySO   INCLUDES   A   LIST  OF  THE  STANDARD 

VIOLIN  AND  PIANO  MUSIC 

WHICH   WE  HAVE  IN  STOCK. 


^- 


•  >• i^  / 

•  .  •  C'^l'je.a.ir.  ^  :.  .-.       '^  ^ 

E  wish  to  aniloiiiice''to  our  many  friends  and  patrons 
tliat  we  have  just  added  to  our  many  departments  a 


Department  of  Old  1[)ioUns 

and  have  secured  a  collection  of  these  fine  instruments  at  the 
cost  of  many  thousands  of  dollars,  and  which  have  required 
years  of  research  throughout  the  entire  world  to  obtain.  Hav- 
ing secured  the  services  of  Mr.  E.  T.  Turnky,  an  expert  on 
this  subject  and  who  was  for  many  years  connected  with 
Messrs.  I^yon  &  Healy,  of  Chicago,  in  this  department,  we  are 
in  position  to  carry  on  this  branch  of  our  business  with  the 
utmost  proficiency. 

What  this  Collection  Includes 

From  the  sweet  and  mellow  old  German  violins  at  $40.00 
to  the  beautiful  Amati  and  the  divine  Stradivarius  at  $5,000.00. 

An  elegant  assortment  of  fine  old  bows  from  $10.00  to 
$125.00. 

A  fine  lot  of  beautiful  leather  cases  for  one  or  two  violins, 
extra  bow  cases,  fine  bridges,  pegs,  tailpieces,  in  short  every 
thing  that  a  fine  violin  requires. 

Our  Fine  Italian  Strings 

This  part  of  the  business  is  the  most  important  of  all  the 
violin's  accessories.  We  have,  without  a  doubt,  the  finest  lot 
of  strings  that  has  ever  been  brought  to  the  Pacific  Coast,  and 
will  exercise  great  care  in  selecting  them  for  our  customers. 
Every  string  will  be  carefully  gauged  and  tested  by  our  expert 
before  it  leaves  the  house,  therefore  assuring  our  patrons  of 
perfect  results. 

"Violas 

Some  fine  instruments  from  $25.00  to  $350.00. 
2 


Carlo  Bergonzi 
Grand  Pattern 

(GEO.  GUDGEON,  ESQ.) 


# 


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4      t        C       <-     O  c 


VioUn  Cellos 

A  few  very  fine  cellos,  both  German  and  Frenc'L,;  from' 
$50.00  up  and  some  elegant  Italian  instruments  from  ,^3PO.<J)0 
up,  and  our  cello  strings  are  the  very  best.  ' ^^   ' 

Repair  Department  '^'  ;    ' " , 

The  repairing  of  valuable  instruments  is  one  of  ^' our  best' 

features.     The  department  is  of  course  under  the  direction  pf 

our  expert,  who  brought  a  man  from  the  east  with  'hihi  an^d 

who  is  reputed  to  be  one  of  the  best  in  the  business.    '  ,    * 

We  will  cheerfully  give  estimates  of  costs,  also  our  opinion 
as  to  the  amount  and  character  of  repairs  necessary  to  produce 
best  results. 

Expert  Opinion  of  Old  Violins 

Being  recognized  an  authority  on  this  subject,  we  wdll  pass 
opinions  and  issue  certificates  of  same  for  $5.00,  which  is  a 
small  fee  considering  the  knowledge  it  requires. 

HoTv   You  Can  Buy 

While  we  prefer  to  sell  for  cash,  we  do  not  make  this  an 
absolute  rule.  As  an  accommodation  to  our  customers  we  sell, 
when  desired,  for  part  cash,  and  the  balance  in  monthly 
payments  secured  by  installment  notes.  The  cash  payment 
must  be  at  least  }>^  the  price  of  the  instrument.  We  will 
exchange  any  old  violin  bought  of  us  wnthin  one  year,  and 
guarantee  every  instrument  we  sell. 

For  the  benefit  of  those  who  live  out  of  the  city,  we  will 
send  violins  on  approval  for  seven  (7)  days,  providing  the 
proper  references  are  furnished.  This  gives  the  customer  an 
opportunity  to  test  the  instrument  before  purchasing.  We 
take  old  violins  and  cellos  in  part  pa3^ment,  and  in  case  a 
better  instrument  is  desired  at  any  time  within  a  year,  v.'e 
will  allow  full  price  for  any  old  violin  or  cello  bought  of  us, 
applying  the  amount  on  the  new  purchase  so  that  nothing  v/ill 
be  lost  in  making  the  exchange. 

Persons  ordering  instruments  on  trial  must  pay  express 
charges  both  ways  if  there  is  no  purchase  made. 

ivill?07? 


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DESCRIPTION  AND  PRICES 


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LavrentiusGuadagnmi  Pater,  q>j^ 

Sj  &  alumnus  Antonj  Stradiiarj   "f 

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238    Laurentius  Guadagnini,  Oremona,  1737 

Price $2,000  00 

A  very  perfect  specimen  of  one  of  the  greatest  violin 
builders  of  Cremona.  Specimens  of  his  work  very  rare. 
Eagerly  sought  for.  It  is  in  perfect  condition.  No 
cracks  or  patches.  Back  formed  of  one  piece  of  maple 
cut  on  the  }-^.  Top  of  even  grain  spruce.  The  varnish 
original  and  of  a  rich  deep  orange  red,  beautifully  shaded 
and  worn.  Scroll  original.  Thick  in  wood.  Beautiful 
quality  of  tone,  very  strong  and  far  carrying. 


u 


Francefco  Roger  Jetto  il  Per 


Cremona  i^q> 


Francisco  Ruggeri,  Cremona,  1700 

Price $1,800  00 

This  maker  was  a  pupil  of  NicOLO  Amati,  and  occupied 
a  very  prominent  place  in  the  history  of  violin  making. 
This  violin  is  a  very  fine  instrument  of  the  NiC0l,0 
Amati  type,  is  in  a  fine  state  of  preservation,  and  has  a 
robust  tone  with  plenty  of  quality.  The  varnish  is  of  a 
a  beautiful  amber  yellow,  the  general  condition  is 
excellent. 


!Domimcu5  Montatnana^  Sab  Si- 
$nu(n  CrcmonesVenetiis  17^.9. 


Dominicus  Montagnara,  1732 

Price  .....  |1,500  00 
This  is  a  beautiful  specimen  of  this  master's  work. 
The  model  is  excellent  and  the  outlines  broad;  the 
wood  is  of  the  choicest  kind ;  the  tone  is  remarkable 
both  for  strength  and  quality ;  the  varnish  is  of  a 
beautiful  red-browm  and  very  attractive.  This  violin  is 
especially  adapted  for  concert  purposes,  when  a  really 
first-class  instrument  is  desired.  It  is  full  size  and  in  a 
fine  state  of  preservation. 


Francisco  Stradivarius,  Cremona,  1742 

Price      -----       $1,200  00 

Francisco  Stradivarius  inherited  all  the  tools  and 
wood  of  his  father  in  1738.  He  was  undoubtedl}^  a 
great  workman  and  made  many  beautiful  instruments, 
many  of  them  having  been  made  in  the  work  shop  of 
Antonio  Stradivarius.  The  instruments  he  made  in 
the  years  1740  and  1742,  and  which  remained  after  his 
father's  death,  in  the  possession  of  his  brother,  Paolo, 
were  sold  at  the  same  price  as  those  of  his  father.  The 
condition  of  this  instrument  is  first-class,  there  are  no 
patches  or  new  wood  and  the  tone  is  exquisite  through 
the  entire  scope.  The  varnish  is  of  a  dark  brown  order, 
tinged  with  red  and  is  altogether  a  very  handsome 
instrument. 

201  Vander  Slagher,  Holland,  1750 

Price $150  00 

This  violin  has  a  very  strong  tone  and  is  very  brilliant. 
The  model  is  large  and  it  is  in  fine  condition.  We 
recommend  this  one  as  a  fine  orchestra  violin. 

202  Sebastian  Kloz,  Mittenwald,  1700 

Price        .....        $400  00 

The  work  of  this  maker  is  much  esteemed  and  is 
superior  in  pattern  and  style  to  that  of  his  father, 
Mathias.  The  model  is  of  the  Am  ATI  type  and  the 
tone  is  very  smooth  and  rich.  The  varnish  is  a  brown- 
ish red,  and  of  good  quality.  The  general  condition  is 
excellent.     No  patches  and  plenty  of  wood. 


203  Nicolaus  Gagliano,  Naples,  1740 

Price $475  00 

This  maker  belonged  to  a  family  of  excellent  violin 
makers  and  his  work  is  much  sought  by  connoiseurs. 
The  wood  in  this  violin  is  most  beautiful.  The  top  is 
of  fine  even  grain  and  is  all  that  could  be  desired  as  far 
as  wood  is  conceKied.  The  back  is  one  piece  and  but 
slightly  flamed.  The  tone  is  rich  and  very  brilliant. 
This  violin  is  an  excellent  solo  instrument  and  anyone 
who  is  lucky  enough  to  possess  it  will  be  proud  of  it. 

204  Nice  Old  German 

Price $60  00 

This  violin  was;alaae  about  the  year  1712  and  is  in  good 
condition.  J3me  tone  is  soft  and  mellow  and  is  just  the 
thing  for  a  student. 

205  Hartman,  Weymar,  1824 

Price  .....  $100  00 
This  is  a  very  good  violin  of  the  Stradivarius  type 
and  possesses  a  very  powerful  tone.  The  varnish  is  of 
a  ruddy  brown  and  very  good  quality.  We  would 
recommend  this  instrument  for  some  orchestra  leader 
on  account  of  its  power. 

206  Phillip  Achuer,  Mitten wald,  1809 

Price  .....  |100  00 
This  is  a  very  nice  violin  of  the  Stradivarius  type. 
The  varnish  is  a  deep  red  and  very  transparent.  The 
tone  is  very  brilliant,  and  the  quality  is  all  that  could 
be  desired  for  a  medium  priced  instrument.  It  is  very 
fine  for  solos. 


207  Hartman,  German,  1823 

Price  .....         $75  00 

Stradivarius  model,  good  wood  and  varuish,  responds 
easily  and  is  a  good  violin  for  orchestra  v/ork.  The 
tone  is  big  and  it  plays  easily. 

208  Hulinski,  Prague,  1798 

Price  .  .  .  .  .  $75  00 

This  is  also  a  good  violin  for  orchestra.  It  is  in  good 
condition  and  has  a  very  nice  quality  of  tone.  Varnish 
is  deep  red  very  pretty,  just  the  thing  for  a  pupil  who 
wants  a  nice  smooth  tone. 

209  Michele  Deconet,  Venice,  1756 

Price        .....         $400  00 

Model  of  this  violin  is  of  the  Amati  Stradivarius 
type.  Varnish  is  reddish  yellow,  very  fine.  The  wood 
is  beautiful,  straight  and  even  grained,  not  too  fine. 
The  tone  is  exceptionally  fine,  the  quality  is  very 
velvety  and  it  plays  easily.  We  can  recommend  this 
instrument  for  concert  work,  as  the  writer  has  tried  it 
in  a  very  large  hall,  and  it  carries  fine. 

210  Oarl  Grim,  German,  Berlin,  1820 

Price  .....  $175  00 
This  is  really  a  fine  violin  for  anj-  purpose.  It  is  in 
elegant  condition  and  has  a  beautiful  round  and  rich 
tone.  The  varnish  is  of  an  amber  yellow  with  a  tinge 
of  red  in  it.  The  work  is  exceptionally  well  executed. 
The  model  is  that  of  Stradivarius,  it  responds  easily 
and  is  very  brilliant. 


GlUSEPPI     GUARNERI     DET.     GESU,         178: 
/Ji.r).  IIAWLEY,  ESQ.,  HARTFORD.  CONN.,  U.  S.  A-), 


'  "   >    J,   J    \    >J 


211    Thos.  Perry,  Dublin,   1776 

Price        .....        $150  00 

This  maker  has  certainly  turned  out  many  good 
violins,  and  some  of  them  command  admiration  in  many 
respects.  The  tone  of  this  instrument  is  sweet  and 
clear,  the  varnish  and  workmanship  are  excellent.  He 
was  a  fine  workman  ;  copied  Nicolas  Amati  very  closely 
and  was  sometimes  called  the  Stradivarius  of  Ireland. 


212    Francois  Richards,  Paris,  1840 

Price $80  00 

A  very  nice  violin  of  the  Stradivarius  type,  with 
large  smooth  tone.  Suitable  for  most  any  purpose. 
Brownish  red  varnish,  good  condition. 


213  Thos.  Perry  and  Wm.  Wilkenson,  Dublin,  1811 

Price 1125  00 

The  Wm.  Wilkenson  mentioned  on  the  label  of  this 
violin,  became  a  partner  of  Thos.  Perry  about  the  year 
1810,  and  all  the  violins  after  that  period  bears  the 
firm's  name. 

214  Oaussin  Nicolas,  French,  1840 

Price        .....        $125  00 

Large  Stradivarius  model  varnish  brownish  yellow, 
good  quality,  good  instrument  for  orchestra,  big 
brilliant  tone. 


215  L.  Bausch,  German,  1829 

Price  .....  $200  00 
The  tone  of  this  violin  is  simply  immense,  it  is  very 
powerful  and  of  fine  quality.  The  model  is  that  of 
Joseph  Guarnerius.  The  wood  is  of  the  finest 
character  and  the  workmanship  excellent.  This  violin 
was  played  in  concert  by  Mr.  Adolph  Rosenbecker,  the 
noted  Chicago  violinist,  and  he  said  it  was  an  excellent 
solo  violin  as  well  as  an  orchestra  instrument.  The 
varnish  is  deep  red  and  very  handsome. 

216  Gio.  Bap.  Tononi,  Boulogne,  1740 

Price  .....  $500  00 
This  is  an  Italian  violin,  and  its  maker  enjoyed  the 
reputation  of  having  made  some  excellent  instruments. 
The  model  is  high  and  the  tone  is  very  beautiful,  being 
of  a  very  dark  color  and  is  very  rich  and  mellow.  We 
would  especially  recommend  this  instrument  for  a  lady, 
on  account  of  its  easy  playing  qualities.  The  varnish 
is  of  a  beautiful  amber  yellow  and  plenty  of  it. 

217  Nicolas,  French,  1822 

Price        .....  $150  00 

Large  flat  model,  powerful  tone  and  of  good  quality. 

Amber  yellow  varnish,  good  wood,  and  in  fine 
condition. 

218  Petrus  Antonis  Delia  Casta,  Italian,  1767 

Price        .  .  .  .  .         $350  00 

For  tone,  both  quality  and  quantity  this  violin  is  a 
beauty,  and  any  one  wishing  a  fine  tone  instrument 
would  certainly  secure  a  gem  in  this  one.  The  model 
is  flat  and  of  the  Stradivarius  character,  it  plays 
easy,  and  carries  fine  in  large  hall. 

10 


219  Budernagle,  Germany,  1813 

Price $165  00 

A  fine  solo  instrument,  modeled  after  Jacobus 
Stainer.  The  tone  is  full  and  ver}^  sweet,  the  varnish 
very  nice  quality  and  very  pleasing  to  the  eye. 

220  Joan  Kloz,  Mittenwald,  1741 

Price  .....  $250  00 
The  Ktoz  family  has  a  world  wide  reputation  for  their 
violins,  and  any  one  who  has  one  can  rest  assured  they 
have  something  good.  This  violin  is  in  a  fine  state  of 
preservation  and  has  a  lovely  tone.  The  varnish  is  an 
amber  yellow,  and  the  model  is  that  of  the  Amati  type. 

221  Joseph  Gagliano,  son  of  Nicolas,  Naples,  1700 

Price  .....  $450  00 
A  very  prominent  family  in  the  violin  world.  Their 
instruments  are  much  esteemed  by  connoiseurs,  and 
always  bring  good  prices.  This  violin  has  a  very 
clear  sweet  tone  and  is  beautifully  made,  fine  wood 
and  varnish. 

222  Mathias  Kloz,  Mittenwald,  1695 

Price  .....  $250  00 
A  very  fine  specimen,  varnish  dark  brown.  Model  is 
that  of  Amati,  fine  condition,  sweet  and  mellow  tone. 
Very  fine  for  solos. 

223  Breton,  French  School,  1850 

Price  .....  $100  00 
Good  model  and  tone,  very  good  condition,  a  musician's 
instrument. 

u 


224  Antonis  Casini,  Italian,  1705 

Price         .....         .$200  00 

Copy  of  AmaTi.  Very  fine  tone,  good  quality  and 
very  brilliant.  A  fine  student's  violin  who  is  doing 
solo  work. 

225  Joseph  and  Antonis  Qagliano,  Naples,  1786 

Price  .....  $300  00 
This  is  a  high  model  violin,  and  the  tone  is  very 
responsive  and  velvety,  and  is  a  lovely  instrument  to 
play.     Excellent  for  lady. 

226  G-abriel  David  Buohstatter,  German,  1753 

Price  .....  $150  00 
A  beautiful  specimen  of  the  German  workman,  fine 
tone,  splendid  varnish  and  wood.     Good  for  solo  work. 

227  P.  Ficker,  >^  size,  Tyrolean  School,  1760 

Price        .....  $50  00 

A  violin  with  fine  tone,  very  sweet  and  mellow.  For  a 
child. 

228  J.  B.  Vuillaume,  French  School,  1827 

Price  .....  ^350  00 
A  very  good  specimen,  splendid  robust  tone  and  fine 
quality. 

229  Li.  Lowendall,  German,  1889 

Price         .....  $50  00 

Stradivarius  model,  big  tone.     Good  for  orchestra. 
12 


f 


Bergonzi  Viola.     (1721) 

(JOHN   AlJAM,    ESQ.) 


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vSTRADIVARI   ViQTvA^  ''S.\^'i 
(R.    BiWyETT.   ESQ.)   •"    ■>  j 


230  German  Violin,  %  size 

Price        .  .  .  .  .  $50  00 

Good  tone,  smooth  and  mellow.     For  child. 

231  Jacob  Ranch,  German,  1749 

Price $125  00 

Splendid  instrument,  large  full  tone,  plays  easy,  AmaTi 
model. 

232  Carlo  Ferd.  Landolphns,  Italian  School,  1783 

Price  .....  $400  00 
This  is  a  ver}'  fine  specimen  of  the  Italian  makers,  is  in 
a  fine  state  of  preservation  and  possesses  a  beautiful 
singing  tone.     Fine  solo  violin. 

234    Tomasso  Oarcasi,  Italian,  1740 

Price  .....  $350  00 
A  very  fine  specimen  of  this  maker's  work,  which  is 
much  sought  by  violin  lovers.  The  tone  is  very 
beautiful  and  very  responsive.  The  wood  and  varnish 
are  very  handsome  and  it  is  just  the  instrument  for  an 
artist. 

236    Ferdinand  Gagliano,  Naples,  1762 

Price  .....  $500  00 
Fine  specimen,  flat  model,  back  in  two  pieces  of  curly 
maple,  peculiarly  marked  sides  very  similar  wood. 
Top  is  of  medium  grain.  Varnish  is  a  rich  orange 
yellow,  color  entirely  original.  Perfect  condition,  no 
patches  or  cracks.     Very  strong  tone. 

13 


237    Nicolas  Gagliano,  Naples,  1738 

Price  .....  $250  00 
Stradivarius  model,  flat  not  high,  wood  of  back 
and  sides  rather  plain,  but  of  fine  quality.  Back  in 
two  pieces.  Top  of  fine  quality.  Preservation  ver}- 
fine.     Varnish  yellowish  brown.     Strong  brilliant  tone, 

239  Januarius  Ventapane,  Naples,  1780 

Price  .....  $300  00 
Flat  model,  beautiful  wood,  deep  red  varnish.  Perfect 
condition.     No  cracks  or  patches. 

240  Franz  Hornsteiner,  Mittenwald,  1730 

Price  .....  $160  00 
Small  Amati  model.  Brown  varnish,  handsome  wood. 
Good  preservation. 

241  Ferdinand  Kramer,  Vienna,  1719 

Price  .....  $100  00' 
Good  specimen.  Dark  red  brown  varnish,  fine  qualitj- 
of  wood.    Easy  playing  and  responsive. 

242  Ferdinand  Gagliano,  Naples,  1760 

Price  .....  $350  00 
Similar  to  236,  but  not  so  fine.  Orange  brown  varnish, 
flat  model,  handsome  wood,  strong,  far-carrying  tone. 

243  Jacobus  Stainer,  1670 

Price  .....  |300  00 
Beautifully  figured  back  and  sides.  Dark  brown 
varnish,  lion's  head.    Brilliant  and  free  tone. 

U 


244  Old  English 

Price $100  00 

Well  made,  strong  free  tone.     Orange  red  varnish, 
handsome  wood. 

245  George  Adam  Guetler,  Neukershen,  1840 

Price $85  00 

Stradivarius  model,   good    workmanship    and    pre- 
servation.    Brown  red  varnish. 

246  Adam  Martin,  Adorf,  1835 

Price $90  00 

Flat  model,  brown  varnish. 

247  A.  Piedment,  Paris,  1830-40 

Price $125  00 

Small  Stradivarius  model.    Brownish  red  varnish. 
Good  tone. 

248  Old  Saxon  Violin,  1800-10 

Price        .....  $50  00 

Good  wood  and  varnish. 

249  Johann  Andreas  Htinuner,  Schiinbach,  1798 

Price  .....  $100  00 
Flat  model,  whole  back,  good  condition.  Strong  free 
tone.     Good  business  violin,  no  purfling. 

250  Good  Old  German  Violin,  dates  about  1840 

Price $45  00 

Flat  model,    good   wood  and  fair  varnish.     Brilliant 
tone. 

15 


251  Joseph  Pauli,  Lenz,  1850 

Price        .....  $75  00 

Smooth  free  tone.     Rich  orange  red  varnish,  handsome 
wood.     Good  condition. 

252  Phillippe  Aschner,  Mittenwald,  1813 

Price        .....  .$80  00 

Dark  brown  varnish,  good  wood,  excellent  condition. 

253  Gerard,  Paris 

Price  .....  $100  00 
I^arge  model,  deep  red  varnish,  handsome  wood  in 
back  and  sides.     Good  violin  for  a  musician. 

254  Old  Saxon  Violin,  dates  about  1830 

Price        .  .  .  .  .  $65  00 

HOPF  style.     Brown  varnish,  good  tone. 

265    Mathias  Placht,  Schtinbach,  1744 

Price        .  .  .  .  .  $80  00 

Small  model,   well  developed,    dark    brown   varnish, 
good  tone. 

256  F.  Pellunente,  Paris,  1833 

Price $125  00 

Large  flat  model.     Handsome  wood,  dark  red  varnish, 
good  condition. 

257  Good  Old  German  Violin,  date  1840 

Price        .  .  .  .  .  $60  00 

16 


'  O   " 


258  Andreas  Astler,  1770 

Price $60  00 

AmaTi  model,  brown  varnish,  excellent  preservation. 
Strong  robust  tone. 

259  Julius  August  Lipp,  Mitten wald,  Tyrol,  1760 

Price        .  .  .  .  .  $75  00 

Small    Stradivarius    model,    dark    brown    varnish. 
Whole  back  of  slightly  curled  maple. 

260  Jos.  Paulus  Ohrista,  1754 

Price  .....  $100  00 
Small  model,  dark  red  varnish,  strong  free  tone.  Good 
appearance,  wide  grain  top.     Good  violin  for  musician. 

261  Johann  Sigel,  1830 

Price        .  .    •        .  .  .  |50  00 

I^arge   broad   model,    dark   red   varnish,    whole  back. 
Strong  full  tone. 

262  Good  Old  German  Violin 

Price        .  .  .  .  .  $60  00 

Excellent  condition,  possessing  sweet  tone. 

263  George  Hornstainer,  Mitten  wald,  1792 

Price        .....        $150  00 

Hornstainer  was  one  of  the  foremost  of  the  Tyrolian 

violin  makers.     His  work  is  always  artistic  and  his  tone 

of  fine  singing  quality,    very  sweet.     The   model  is 

AmaTI.     The  varnish  a  dark  red  and  of  rich  appearance. 

17 


264    J.  Edlenger,  Prague 

Price        .  .  .  .  .  $90  00 

Good  Bohemian  maker.  Good  workmanship,  strong 
easy  playing  violin. 

266    Johann  Stoss,  Prague,  1835 

Price        .  .  .  .  .  $75  00 

Red  brown  varnish,  handsome  wood,  good  condition. 
Strong  correct  tone. 

266  Anton  Schill,  Bambach,  1770 

Price        .  .  .  .  ,  $90  00 

High  model,  good  wood  and  varnish,  pleasing  tone. 

267  Martinus  Mathias  Fechtl,  Vienna,  1792 

Price        .....        $125  00 

FECHTi,  was  one  of  that  brilliant  galaxy  of  violin 
builders  who  made  Vienna  famous.  This  is  one  of  his 
best  instruments.  The  workmanship  is  of  a  very  high 
grade.  The  wood  he  selected  for  its  brilliant  tone 
qualities  and  fine  appearance.  The  varnish  is  of  fine 
quality.  In  color  it  is  of  a  dark  red  brown.  It  is 
largely  original,  and  presents  a  rich  appearance. 

268  Old  German  Violin 

Price        .....        $165  00 

This  is  a  fine  old  violin  at  a  moderate  price.  The  tone 
is  brilliant  and  strong.     It  is  in  excellent  preservation^ 

18 


269  Good  Old  O-erman  Violin,  1815 

Price $60  00 

Good  wood  and  varuish,  excellent  tone.  Nice  high 
model. 

270  Made  in  Saxony  about  1850 

Price $50  00 

Good  tone. 

271  Alexander  Hammel,  Adorf,  1790 

Price        .....  $75  00 

Good  flat  model,  dark  brown  varnish,  excellent  con- 
dition, strong  free  tone.  Back  of  one  piece  of  curly 
maple. 

272  Carlos  Frederich  Meyer 

Price        .  .  .  .  .  $75  00 

Small  pattern,  almost  %  size.  Very  suitable  for  a 
young  lady.  The  varnish  is  dark  brown  and  very 
lustrous.  The  back  is  formed  by  one  piece  of  curly 
maple.     It  possesses  extraordinarily  sweet  tone  quality. 

273  German  Violin,  1846 

Price        .  .  .  .  .  $50  00 

Strong  free  tone. 

274  Jacobus  Staub,  Ausberg,  1785 

Price $145  00 

GuARNERius  model,  dark  brown  varnish.  Back  in 
two  pieces  plain  maple,  wide  edges,  irregular  inlaying. 
Brilliant  tone. 

19 


275  Wm.  Oonant,  Brattleboro,  Vt.,  1840 

Price        .....  $50  00 

Flat  model,  dark  brown  varnish,  ornamented  back, 
good  wood.  Conant  was  one  of  the  prominent  New 
England  makers  of  his  day. 

276  Good  Example  of  French  Work  of  1830  -  '40 

Price        .  .  .  .  .  $75  00 

Whole  back,  handsome  wood,  orange  red  varnish,  fine 
condition.     Stradivarius  model. 

277  Old  German  Wood  of  1840  -  45 

Price        .....  $50  00 

Good  condition,  dark  brown  varnish. 

278  Gaspard  Mengard,  Paris,  1827 

Price        .  .  ,  .  .  $75  00 

Orange  red  varnish,  flat  model,  whole  back  of  curly 
maple,  excellent  top.     Strong  tone. 

279  Joseph  Kramer,  Mittenwald,  1780 

Price $125  GO 

Dark  red  varnish,  medium  high  model,  back  in  two 
pieces.  Lion's  head,  curly  maple  back.  Good  strong 
free  tone. 

280  Hermann  Schmidt,  Tyrol,  1818 

Price  .....  $100  00 
Red  brown  varnish,  whole  back  of  curly  maple, 
excellent  condition,  strong  full  tone. 

20 


'^%. 


v^- 


The  "Betts"  Stradivari.     1704 

l>IR,  GEO.  H4RT)  '>      ; 


231    Adolph  Meyer,  Neukershen,  1780 

Price $125  00 

Good  maker.      Excellent    preservation,   back  in   one 
piece  curly  maple,  fine  grain  top,  strong  tone. 

282  Old  English  Work 

Price         .  .  .  .  .  $90  00 

Excellently   made,    brown-yellow    varnish,    handsome 
wood,  strong  full  tone,  back  one  piece. 

283  Johann  Christian  Oheburg,  Stockholm,  1790 

Price         .....  $75  00 

Bird's  eye  maple,  back  and  sides,  whole  back,  orange 
red  varnish,  medium  high  model. 

284  Old  Bavarian  Violin 

Price        .....  $50  00 

285  Anton  Oare  Merkel,  Adorf,  1821 

Price        .  .  .  .  .  $75  00 

Brown   varnish,    whole  back,  plain  maple,  good  con- 
dition. Am  ATI  model. 

286  J.  Diehl,  Hamburg,  1860 

Price         .....  $85  00 

Good  German  maker. 

287  Oamillus  Oamilli,  Mantua,  1731 

Price  .....  |375  00 
Beautiful  Amati  model,  rich  brown-yellow  varnish, 
back  in  two  pieces  curly  maple,  plain  sides,  beautiful 
tone,  no  patch  in  top. 

21 


288  Peter  Gruarnerius,  Venice,  1760 

Price $350  00 

Flat  model,  long  corners,  dark  red  varnish,  back  in 
two  pieces,  beautiful  wood,  fine  work,  good  condition, 
large  tone. 

289  Jos,  &;  Antonio  Gagliano,  Naples 

Price $350  00 

Large  model,  rich  dark  red  varnish,  handsome  wood, 
broad  grain  top,  good  condition,  strong  fine  concert 
tone. 

290  Carlo  Landolphus,  Milan 

Price  .....  $250  00 
Flat  model,  light  amber  varnish,  whole  back,  handsome 
wood,  superb  tone. 


VIOLAS    AND    CELLOS 


235    Viola  by  Carlo  Tononi,  Italian,  1744 

Price  .....  $250  00 
This  is  a  very  fine  viola,  in  perfect  condition.  The 
model  is  flat  and  the  tone  very  strong  and  of  good 
carrying  capacity.  The  varnish  is  of  a  very  dark 
brown  and  very  fine. 

22 


S40    Old  German  Viola,  about  1790 

Price $150  00 

Amati  model,  good  wood,  amber-yellow  varnish,  tone 
very  sweet  and  carries  well. 

CE^IvLOS 

241  Oennaro  Gagliano,  Naples,  1750 

Price $500  00 

Perfectly  preserved,  original  scroll  and  varnish, 
beautiful  work  and  wood.  Fine  robust  tone,  a  first- 
class  solo  instrument  for  an  artist. 

242  Jo.  Bap.  Oeruti,  Cremona,  1796 

Price  .....  $400  00 
This  instrument  is  simply  a  beauty.  Elegant  varnish, 
fine  wood,  excellent  condition  and  has  a  strong  tone 
with  plenty  of  quality. 

"233    Franz  Guisserhof,  German,  1810 

Price $250  00 

A  very  nice  solo  instrument.  Varnish  is  very  fine, 
looks  like  fine  Italian,  quality  of  tone  is  of  a  very  high 
order.  Just  the  instrument  for  solo  work.  Fine  state 
of  preservation. 

M.  Hornsteiner,  German,  1803 

Price $175  00 

A  very  nice  orchestra  instrument.  Very  strong  tone 
and  carries  fine.  Plenty  of  wood,  and  good  workman- 
ship. Varnish  is  of  light  redish  yellow  and  of  good 
quality. 

23 


FINE  OLD  WOOD  FOR  VIOLINS 


We  have  some  very  fine  old  wood  for  violins  from  40  to  100 
3'ears  old,  which  we  can  sell  for  reasonable  prices  considering 
the  article.  Our  expert  will  be  very  glad  to  correspond  with 
any  one  who  would  like  information  on  the  subject.  We  also 
furnish  all  kinds  of  first-class  material  for  violin  making,  such 
as  necks,  ribs,  bridges,  etc. 


PRICE    LIST    OF    FINE    STRINGS 


Violin  E      Italian  tested,  3  lengths,  each 


A 

((             11 

2 

D 

u                  a 

2 

E 
A 

"    not   " 

((       li        a 

3 
2 

D 

((        n         n 

2 

E 

Padua 

3 

A 

u 

2 

D 

l( 

2 

E      Lion  &  Healy,  tested  German,  each 


Cello    A      Italian  tested,  each 
'*       D 
"       A      Roman  " 


.^0  30 
35 
45 
25 
30 
30 
30 
35 
40 
30 
30 
35 
30 
35 
25 
30 


We  handle  the  celebrated  Grim  solid  silver  G  string  and  can 
recommend  them  to  our  patrons  as  the  finest  string  made. 

Price $1  25 

24 


Ax roxro  Stradivari.     Tenor        Antonio  Stradivari."    {li^i) 

(Date  1690)  .     (oBo.  Ayt,^,  fSQ.'^ 

/f>Ja(l.e  fof  the  Gr^^nd  Duke  of  Florence)  \    ,  ;  ^  >    '> 


}  3  J    J    J 


NEW  VIOLIN  BOWS 

334  Pernambuco  stick,  ebony  frog,  full  German  silver  lined 
pearl  slide,  German  silver  button. 

Price  .  .  .  .  .  $4  00 

340  Purnambuco  stick,  very  fine  copy  of  Vuillaume,  ebony 
frog,  pearl  slide  full  German  lined,  very  fine  quality. 

Price  .  .  .  .  .  $5  00 

344  Pernambuco  stick,  fine  copy  of  Tourte,  ebony  frog,  full 
German  silver  lined,  fancy  wrapping  on  stick. 

Price  .  .  .  .  ,  $7  50 

345  Best  Pernambuco  octagon  stick,  very  finely  balanced, 
solid  silver  frog  and  button,  and  silver  wrapping  with 
leather  grip. 

Price        .  .  .  .  .  $12  00 

337     Best  Pernambuco  stick,   round,  finely   finished,  solid 

silver  trii^med,  perfectly  balanced,  very  elastic,  strong. 

Price $18  00 

We  also  have  a  very  complete  stock  of  cheaper  bows  from 
.$1.00  to  $5.00,  which  are  very  good  for  the  money. 


FINE  BOWS  FOR  VIOLIN  AND  CELLOS 

BY  THE  OLD  MASTERS 

101    Tourt  I'aine 

Price $75  00 

A  very  fine  bow  for  an  artist.     Is  beautifully  balanced 
and  has  the  original  frog  and  screw. 

25 


102  J.  B.  Vuillaume 

Price $40  Oif 

Very  fine. 

103  Dominique  Pecatte 

Price        .  .  ,  .  ,  $50  00 

A  beauty,  very  strong. 

104  James  Tubbs,  London 

Price        .  .  .  ,  ,  $35  00 

Very  fine. 

105  Old  German 

Price        ......  $20  00 

A  splendid  stick  for  a  student. 

106  Old  French 

Price        .....  $18  Of^ 

This  is  ako  a  very  good  bow. 


WHITELAWS    CREMONA    VARNISH 


This  varnish  has  attained  a  celebrity  which  is  world  wide  on 
account  of  its  unequaled  quality.  It  possesses  the  merit  of  the 
famous  varnish  used  by  the  Italian  masters,  and  Mr.  Whitelaw. 
who  is  an  expert  chemist,  at  the  cost  of  endless  experiment 
and  research,  has  succeeded  in  producing  results  attained  by 
no  other  since  the  secret  of  Cremona  died  with  the  famous 


Italian  makers.  With  this  varnish  violins  can  be  coated  in  a 
style  not  possible  by  any  other  method  known,  and  with  an 
ease  which  will  be  appreciated  by  those  who  have  tried  the 
usual  methods.  It  is  now  in  the  power  of  the  amateur  to 
finish  his  violin  in  a  style  superior  to  any  other  modern  work. 
In  fact,  his  varnish  will  compare  favorably  with  that  of  the  old 
masters. 

This  is  strictly  an  oil  varnish  made  with  amber  as  a  basis. 
It  will  not  fade  in  the  strongest  lights,  to  the  contrary  strong 
light  improves  its  luster.  It  works  very  easy  as  it  does  not  set 
for  fifteen  minutes,  therefore  making  it  possible  to  lay  it  on 
perfectly  even.  The  wood  does  not  need  any  preparation. 
The  varnish  laid  on  the  clear  wood  at  once  forms  its  ground 
work,  and  does  not  enter  into  the  w^ood  at  all. 


PRICE)     LIST 

Single  bottles,  any  color,  including  box  of  surfacing   and 
polishing  powder. 

Price $2  00 

One  bottle  is  enough  for  two  violins. 


NEW    VIOLINS 

ITALIAN 

160     Imitation,  old,  very  good  model  and  finish. 

Price $8  00 

178     Good  copy  of  Stradivarius.     Light  brown  varnish, 
well  made  and  fine  finish. 

Price $12  00 

27 


192      Stradivarius  model,  light  yellow  varnish,  of  very 
fine  quality,  big  tone,  good  for  orchestra  playing 

Price        .....  $15  00 

200     Copy  of  Nicoi/AS  Amati,  very  handsome,  well  made. 
Good  wood. 

Price        .  .  .  .  .  $20  00 

202     Joseph  Guarnerius  model,   made  of  old  wood  and 
excellent  finish.     Very  fine  imitation. 

Price        .  .  .  .  .  $35  00 

184  Copy  of  Amati.      Dark  brown  varnish,  high  model, 
highly  polished  ebony  trimmings. 

Price        .  .  .  .  .  $10  00 

185  Amati  copy.    Pale  amber  varnish,  ebony  trimmings, 
A  beauty  for  a  professional. 

Price        .  .  .  .  .  $30  00 

188     Stradivarius  Conservatory,  fine  model  and  finish. 

Price        .  .  ,  ,  .  $12  50 

194      Copy  of  Cari^o  Begorzi,  reddish  brown  color,  beauti- 
ful model. 

Price        .  .  .  .  .  $20  00- 

198     Fine  Maggini  copy,  oil  varnish,  ruddy  brown  vamishj 
fine  wood  and  workmanship. 

Price        .  .  .  .  .  $22  00 


VIOLIN    AND    PIANO    MUSIC 


ALARD  D.     Op.  15.     1st  Concerto      .         .         .         .  $4  25 

Op.  34.     2d  Concerto 2  15 

Op.  47.     Faust,  Fantasie  de  Gounod           .         ,  1  75 
Op.  52.     Pastorale   et    Menuet   de    Boccherini, 

Transcription 1  15 

BACH,  JOir.  SEB.     Air  (on  the  G  string),  arr.  by 

A.  Wilhelmj 60 

Bourree,  B  minor,  arr.  by  G.  Papini    .         .         .  60 

Chaconne.  arr.  by  A.  Wilhelmj  .         .         .         .  1  50 

Concerto  in  G,  arr.  by  F.  Spiro  .         .         .         .  2  00 

4th  Sonata  in  D  minor 2  25 

BEETHOVEN,  L.  VAN.    Op.  33.     No.  1,  Bagatelle  50 

Op.  40.     Violin  Romance  in  G    .         .         .         .  75 

Op.  46.     Adelaide 90 

Op.  50.     Violin  Romance  in  F    .         .         .         .  75 

Adagio  from  the  Septette     .....  35 

Turkish  March 50 

Op.  12.     No.  3,  Sonata  in  E  flat          .         .         .  1  00 
BESEKIRSKY,   G.    Allegro    des    1st  Concerto  de 

Paganini 2  15 

BOCCHERINI,    L.     Minute    Celebre,    arr.    by    G. 

Papini 50 

BRAHMS,  JOH    Op.  77.     Concert    ....  5  00 

Op.  78.    Sonate  in  G 3  75 

Op.  100.     Sonate  in  A 4  00 

Op.  108.     Sonate  in  D  minor      .         .         .         .  4  00 
Hungarian  Dances,  arr.  by  F.  Hermann,  in  4 

books,  each 1  50 

The  same,  arr.  by  J.  Joachim,  in  4  books,  each  2  50 

29 


BRUCH,  MAX.     Op.  47.     Kol  Nidre 

Op.  56.     Adagio  in  the  Celtic  style     . 

Op.  63.     Swedish  Dances,  2  books  each 
BULL,  OLE.     Op.  1.     Adagio  Religiose    . 

Op.  2.     Nocturne  .... 

A  Mountain  Vision       .... 

Polacca  Guerriera         .... 
CARRI,  FERD.     Op.  13.     Ave  Maria  (F.  Schubert) 

Op.  14.     Nocturne,  Op.  9,  No.  2  (Chopin) 
CHOPIN,    F.      Op.    9.      No.   2,   Nocturne,   arr.   by 
E.  Remenyi 

The  same,  arr.  by  P.  Sarasate      .  "      . 

Op.  63.     No.  2,  Mazurka,  arr.  by  E.  Singer 

Op.  64.     No.  1,  Valse,  arr.  by  C.  Stor 
,nONT,  JACOB.     Op.  37.     24  introductory  studies  to 
Kreutzer's  and  Rhode's  studies    . 

J)  VORAK  ANTON.     Op.  49.     Mazurek     . 

Op.  53.     Concerto  in  A  minor     . 

Op.  72.     Slavische  Tanze,  2  books,  each 
DAN  BE,  J.     Op.  17.     Berceuse  . 

Attaque  du  Moulin,  2  transcriptions,  each 

Prayer  from  Rossini's  "Moses" 
DANCLA,  Ij.     Duo,  Brilliant  sur  Moise  de  Rossini    . 

Op.  138.     No.  1  Sonata  in  G,  No.  2  Sonata  in  D 
No.  3  Sonata  in  A  minor,  each     . 

Op.  172.     Serenade  brilliant,  Souvenir  de  Dieppe 
DA  VID,  FERD.    Op.  3.     1st  Concertino  . 

Op.  15.     Variations  on  Schurbert's  "  Elegy  of 
Tears  " 

Op.  20.     Six  Caprices 

Gondellied 


30 


DE  BE  RIOT  CH.  Airs  Varices,  No.  1  in  D  minor 
No.  2  in  D,  $1.40;  No.  3  in  E,  $1.40;  No.  4  in 
B  flat,  $1.40;  No.  5  in  E,  $1.65;  No.  6  in  A, 
$1.40;  No.  Tin  E,  $1.40;  No.  8  in  D,  $1.40; 
No.  9  in  D,  $2.40 ;  No.  10  in  D,  $2.40 ;  No.  11 
A,  $1.65;  No.  12  in  G,  $2.15;  No.  13  in  D  flat 
$2.15;  No.  14in  G 

DE  BE  RIOT  CH.      Concertos,  No.  1  in  D,  $2.15 
No.  2  in  B  minor,  $3.65 ;  No.  3  in  E,  $3.15;  No 
4  in  D  minor,  $1.75;  No.  5  in  D,  $2.65  ;  No.  ( 
A,  $2.15;  No.  7  m  G,  $2.65;  No.  8  in  D,  ,^3.15 
No.  9  in  A  minor,  $2.15;  No.  10  in  A  minor 
Op.  30.     Le  Tremolo.     Caprice  on  a  theme,  b\ 
Beethoven      ...... 

Op.  63.     1st  Duo  Concertant 

ERNST,  H.   W.     Op.  16.     Bolero        .         .  ,      . 
Op.  17.     Polonaise  de  Concert    . 
Op.  18.     Le  Carnaval  de  Venise 
Op.  22.     Airs  hongrois         .... 
Op.  23.     Concert  Fis  moll  .... 

GADE,  N.   W.     Spring  Flower    .... 

GILLET,  E.     Au  Moulin 

GODARD,  BENJ.     Concerto  Romantique 

Berceuse  "  Jocelyn  " 

GOLDMARK,  CARL.     Op.  11.     Suite 

Op.  43.     2d  Suite 

HANDEL,  G.     Adagio  et  Allegro  de  la  Sonate  No.  10 
Largo,  arr.  b}'  Sarasate         .... 
Sonate  A  major,  arr.  by  David    . 

HA  USER,  iM.     Op.  17.     La  Melancolie      . 

HA  YDN,  J.     Andante  from  Imperial  Symphony 
Ox  Minute,  arr.  Hermann  .... 


1  00 


90 


2  15 

1  65 

2  40 

1  00 

2  00 
75 

1  50 

2  50 
50 

1  15 

3  00 
75 

3  15 

4  50 
75 

1  00 

1  25 

50 

35 

50 


31 


HOLLAENDER,  G.     Op.  10.     Romance  . 

Op.  14.     Concert  Polonaise         ... 

Op.  49.     Spanish  Serenade 
HUB  A  Y,  J  END.     Op.  9.     No.  1,  Scenes  de  la  Czardas 

Op.  47.     Feu  follets 

HUMPERDINK,    E.     Hansel    aud    Gretel.      Para 

phrase,  arr.  E.  Kross 

JOACHIM,  J.     Violin  Concert  in  G    . 
KREUTZER,  R.     Adagio  from  Concerto  in  D  . 
LEONARD,  H.     Op.  2.     Souvenir  de  Haydn     . 

Op.  10.     1st  Concerto 

Op.  29.     Don  Juan.     Fantaisie   . 
LEONCAVALLO,  R.     Pagliacci.     Intermezzo 
MASCAGNI,  P.     Cavalleria   Rusticana,   Intermezzo 

Sinfonica 

MASCHERONI,  A.     Ave  Maria,  arr.  with  piano  and 

organ  accomp.  by  Peiniger 
MAZAS,  F.     Polonaise  Op.  45,  No.  1  .        . 

MENDELSSOHN,    F.      Spring    Song,   arr.   by    E 

Remenyi 

Op.  64.     Third  Concerto,  arr.  by  F.  David    . 
MOLIQUE,  BERNARD.    Op.  9.     2d  Concerto 

Op.  19.     Russian  Melodies 
MOSZKOWSKI,    M.      Mazurka  in   G,    arr.    by  A 
Delorme 

Op.  12.     No.  2  Spanish  Dance    . 

Op.  15.     No.  1  Serenata       .... 
MOZART,   W.  A.    Op.  76.    Concerto  in  E  flat  . 

Op.  127.     Concerto  in  B  flat 

Larghetto  from  the  Clarinet  Quintette,  arr.  by 
E.  Singer 


75 


32 


MOZART,    W.    A.      Largbetto  from  the  Clarinette 
Quintette,  arr.  by  Vieuxtemps 
The  same,  arr.  by  Wilhelmj         .         .         .         . 
Rondo  Celebre,  arr.  by  A.  Herman     . 
Sonatos  Nos.  1  to  18,  arr.  by  F.  David.     Pub- 
lished   separately ;     prices    ranging    from 

70c.  to 

MUSIN,   OVIDE.     Op.  6.     1st  Caprice  de  Concert 

Op.  7.     Valse  de  Concert     .... 
NACHEZ,  TIVIDAR.     Op.  14.     Danses  Tziganes 
NERUDA,  FRANZ,     Op.  11.     Berceude  Slav   . 
ONDRICEK,  FRANCOIS.     Op.  3.     Danses  Bohemes 
FADEREWSKI,  J.  J.     Op.  8.     No.  3.  Melodic,  arr 

by  B.  Sauret 

PAGANINI,  N.     Op.  6.     1st  Concerto  in  D,  arr.  by 

F.  David 

Op.  10.     Carnival  of  Venice 
Concerto  in  D,  as  played  by  Wilhelmj 
Variations  di  bravura  del  "Moses"  di  Rossini 
for  violin   upon  the  G  string  with   piano 
forte  or  string  quartette  accomp. 
POPPER,  DAVID.     Op.  39.     Elfentanz,  arr.  by  B 
Sauret    ....... 

Papini,  G.     Danses  Hongrois,  3  numbers,  each 

POZNANSKI,  I.  B.     Air  de  ballet     . 

RAFF,  J.    Op.  78.     Second  Grand  Sonata 
Op.  85.     Cavatina,  arr.  by  B.  Singer 
Improvisation    on    the     "Liebesfee,"    by    A 
Wilhelmj 

REHFELD,  F.     Op.  58.     No.  2,  Rondo  Capriccioso 
REINECKE,  C.     Op.  93.     Overture  to '' King  Man- 
fred," arr.  by  F.  Hermann  .         .         .         . 


50 
75 
75 


1  60 
1  50 

90 
1  50 

60 
1  50 

50 

4  00 
1  25 

1  50 


1  25 

1  00 

1  00 

75 

4  50 

75 

75 
1  25 

1  75 


EEMENYI,  E.     Melodie  Heroique    ....  90 

RIESj  F.     Concerto  in  E  minor           .        .         .         .  2  25 

RODE,  P.     Concerto  No.  1,  arr.  by  F.  Hermann       .  2  60 

Concerto  No.  10,  arr.  by  F.  David       .         .         .  2  30 

RUBENSTEIN,    A.     Russian    Songs,    arr.    by    F. 

Hermann 90 

SAINT-SAENS,  C.     Op.  20.     Concerto     .        .        .  2  50 

Op.  40.     Danse  Macabre     .         .         ,         .        .  1  60 

SARAS  ATE,  PABLO.     Op.  15.     Zampa,  Mosaique  .  190 

Op.  20.     Zigeunerweisen 1  25 

Op.  21.     Spanish  Dances,  Books  1  to  7  and  9, 

each 2  25 

The  same,  Book  8 3  00 

Faust,  Fantaisie 1  50 

*S^  URET,  EMILE.     Op.  8.     Reverie         .        .        .  1  40 

Op.  27.     Fantaisie  Brilliante  on  Spanish  Airs    .  2  50 

Op.  40.    No.  4,  11  MuHno  .....  1  00 

SCHARWENKA,  X.    Op.  3.    Polish  National  Dances  2  40 

Op.  50.     Phantasiestuck,  arr.  by  F.  Hermann  .  50 

SCHATZ,    CARL.     Op.    21.     Souvenir    of   Popular 

Airs,  20  Nos.,  each 1  00 

Op.  22.     Popular  Airs,  continued,  10  Nos.,  each  1  00 

SCHUBERTH,C.    Op.  6.    Grand  Nocturne  Eligiaque  50 

SCHUBERT,  FRANZ.     Op.  137.    No.  1  Sonato  in  D  75 

Barcarolle,  arr.  by  E.  Remenyi  .         .        .         .  1  15 

Serenade,  arr.  by  D.  Alard          ....  50 

The  same,  arr.  by  E.  Remenyi   ....  90 

SCHUMANN,  ROBT.    Abendlied,  arr.  by  Wilhelmj  70 

Phantasie,  arr.  by  A.  Horn          .         .         .         .  1  20 

SCHLUMMERLIED.     Arr.  by  G.  Papini  .         .         .  75 

Widmung,  arr.  by  Vogel  and  I^enz    ...  35 

34 


2  00 
2  25 

75 

2  00 

3  75 


SGAMBATI,  G.    Op.  24.     Two  pieces  Andante  Can- 

labile,  Serenata  Napolitana  .        .         .  '      1  40 

Op.  28.     Te  Deiim  Laudamus     ....  75 

SINGELEE,   /.    B.      All   of  this   author's   original 

morceaux    and    arrangements  in   the  original 

editions. 
SITT,  HANS,     Op.  21.     Concerto  No.  2,  in  A  minor        4  00 

Op.  39.     Scherzo  Capriccioso 
SPOHE,  L.     Op.  7.     3d  Concerto 

Ramance   from   Zemire   and   Azor,    arr.  by  A 
Wilhelmj        ..... 
STOJOWSKI,  SIG.     Op.  13.     Sonata  in  G 
STOE,  CARL,     Op.  30.     Concerto      . 
STRAUSS,  JORANN,    All  of  this  author's  famous 

dance  music. 
SUPPE,  FRANZ  VON.     Pique  Dame.     Overture     .         140 
TARTENI,   G,    Art   of  Bowing,    50  variations  on  a 
Gavotte 

Trille  du  Diable,  Sonata,  arr.  by  H.  Leonard     . 
THOMAS,    EMILE.      Fantaisie  on  Scotch    airs,  2 

numbers,  each      ....... 

THOME,  FRANCIS.    Simple  Aveu   .... 

TACHAIKOVSKY,   P.     Romance,  arr.  by   F.  Her- 
mann     ........ 

Op.  35.     Concerto 

Op.  37.     No.  6  Barcarolle  in  G  minor,  arr.  by 

B.  Sauret 

VERDI,  G.     FalstafF  Fantaisie,  arr.  by  A.  Hermann 

La  Traviata,  arr.  by  Ketterer  and  Hermann 
VIE  UXTEMPS,  H.     Faust  de  Gounod  Fantaisie      . 

Le  Trille  du  Diable,  Sonata  de  Tartini 

35 


3 

10 

1 

15 

1 

25 

90 

•75 

5  00 

65 

1 

25 

1 

65 

1 

35 

1 

60 

VIEUXTEMPS,  H.     Op.  6.     Air  Varie  ''  111  Pirata  " 

(Bellini) 

Op.  10.     Grand  Concerto 

Op.  20.     Duo  Concertant '  *  Don  Juan  "  (Mozart) 

Op.  22.     No.  1  Premier  Morceau  de  Salon 

Op.  25.     Grand  Concerto 

VIOTTI,  J.  B.     Concerto  No.  18        ...         . 
Concerto  No.  22 


VOLK.MANN,  ROBT.     Op.  7.     Romance 

The  Russians  are  Coming,  arr.  by  F.  Hermann 

WAGNER,  RICHARD.     Meistersinger  v.  Nurnberg, 
Fantaisie,  arr.  by  Ad.  Hermann  . 
Siegfried,  Parapbase,  arr.  by  Wilhelmj 
Parsifal,  Prayer  of  Amfortas,  arr.  by  A.  Heiutz 

Rheingold,  Fantaisie 

Walkure,  Love  song  by  J.  Barres 

Walther's  Preslied,  Pharapbrase,  by  A.  Wilhelmj 

WALDTE UFE L,  EMILE.     Chant  d'oiseaux.    Waltz 

WEBER,    CARL   M.    VON.      Freischutz   Fantaisie, 
arr.  by  G.  Papini 

Jubel  Overture      ...... 

Rondo  Brilliante,  arr.  by  F.  W.  Kessel 
WEISS,  JUL.     All  of  this  author's  instructive  pieces 

Fantaisies,  etc.     .         .         .       *  . 
WEISSENBORN,  E.     Op.  96.     Sehnsucht's  Ueder 
WICHTL,  Q.     All  of  this  author's  compositions 
WIENIAWSKI,  II.     Op.  11.     Carnaval  Russe 

Op.  17.     Legende 

Kuyawiak.     Polish  National  Dance 
WILHELMJ,  A  UG.     German  Suite  a  la  J.  S.  Bach 

Italian  Suite  a  la  Paganini 

Souvenir  d'Amerique  (Old  Folks  at  Home) 
WOHLFAHRT,  FRANZ.     All   of  this   author's   in 

structive  pieces     .... 
WORMSER,  A.     Op.  8.     Suite  Tsigane 
YSA  YE,  E  UGENE.     Poeme  Elegiaque 
ZARZXCKI,  ALEX.     Op.  26.     Mazurka 

Op.  34.     No.  3,  Bn  Valsant. 


50 
4  75 
2  25 


15 
50 

60 
75 

75 
65 


15 
40 
90 
15 
90 
40 

25 


1  00 

75 

1  15 


50 

25 
00 


2  50 

3  00 
1  00 


2  00 
2  00 
1  25 


75 


J.    B.    GUADAGNINI 


STORIONI.       }T!»? 


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